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If you have established a consistent universe, you can edit the angle of the sun by choosing Layer Layer Style Global Light Change the Angle value and all shadows and bevels created with Use Global Light turned on will move in unison You can also set the Altitude for bevels Sun rise, sun set, as the Yiddish fiddlers say That doesn t shed any light on the topic, but when in doubt, I like to quote a great musical to class up the joint Distance: The Drop Shadow, Inner Shadow, and Satin panels feature a Distance value that determines the distance between the farthest edge of the effect and the corresponding edge of the layer Like Angle, this value is affected when you drag in the image window.

You can also use Visual LISP to examine an AutoCAD object. Begin by choosing View Browse Drawing Database Browse Selection. At this point, Visual LISP will display a pickbox in your drawing so that you can select an object. After you end object selection, you re returned to Visual LISP, where you see the Inspect dialog box. Select the name of the entity and right-click while the cursor is over the selected text. Choose Inspect to see information about the object. Figure 35-6 shows information about an arc. Figure 35-6: Getting information about a drawing object from Visual LISP.

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Spread/Choke: Associated with the Drop Shadow and Outer Glow panels, the Spread option expands the point at which the effect begins outward from the perimeter of the layer If you were creating the effect manually (as discussed in the section Selecting the Contents of Layers in 12), this would be similar to applying Select Modify Expand Spread changes to Choke in the Inner Shadow and Inner Glow panels, in which case it contracts the point at which the effect begins Note that both Spread and Choke are measured as percentages of the Size value, explained next Size: One of the most ubiquitous settings, the Size value determines how far an effect expands or contracts from the perimeter of the layer In the case of shadows and glows, the portion of the Size that is not devoted to Spread or Choke is given over to blurring.

Positioning is often easiest when you are the first into a new market: the first-mover advantage . From this position it is possible t o get t o know the customer and market in detail and build a strong customer base, even a rapport with customers. Invariably the brand image is an attractive one of responsiveness and innovation. For brands that are not the first mover, it is important to choose the right moment to launch, ideally when the market leader is weak o r quiet, o r both.

For example, if you set the Spread for Outer Glow to 100 percent and the Size to 10 pixels, then 0 percent is left for blurring The glow expands 10 pixels out from the perimeter of the layer and has a sharp edge, as in the lower-left example in Figure 14-13 If you change the Spread to 0 percent, Photoshop blurs the glow across 100 percent of the Size..

Just as you cannot stand still with site content, you must look ahead with regard to technology and design While the conventional wisdom is that the United States leads the rest of the world in Web technology, the reality is that markets in Scandinavia outpace the United States in certain respects.

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